Tuesday, July 31, 2012

Bonsai Boy's Ceramic Bonsai Pot - Rectangle 10 0 x 8 0 x 3 125

Bonsai Boy's Ceramic Bonsai Pot - Rectangle 10 0 x 8 0 x 3 125 Review


Bonsai Boy's Ceramic Bonsai Pot - Rectangle 10 0 x 8 0 x 3 125

Bonsai Boy's Ceramic Bonsai Pot - Rectangle 10 0 x 8 0 x 3 125 Feature

  • Dark navy blue bonsai pot, glazed, rectangle
  • Measures 10.0" x 8.0" x 3.125"

"Buy Bonsai Boy's Ceramic Bonsai Pot - Rectangle 10 0 x 8 0 x 3 125" Overview

Imported ceramic bonsai potYou will not be disappointed with Bonsai Boy's Ceramic Bonsai Pot - Rectangle 10 0 x 8 0 x 3 125

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Monday, July 30, 2012

Brussel's CT9005CE Chinese Elm Bonsai

Brussel's CT9005CE Chinese Elm Bonsai Review


Brussel's CT9005CE Chinese Elm Bonsai

Brussel's CT9005CE Chinese Elm Bonsai Feature

  • Deciduous outdoor bonsai
  • The small leaves are ideally suited for bonsai
  • Imported from northern China
  • 5 years old; 9 inches tall
  • Ulmus parvifolia

"Buy Brussel's CT9005CE Chinese Elm Bonsai" Overview

Chinese Elms are deciduous trees with small leaves and fine twigging on their secondary branches. These trees are imported from Chinese nurseries where the branches have been painstakingly trained for years. Chinese Elms are durable and may be displayed indoors for extended periods of time.You will not be disappointed with Brussel's CT9005CE Chinese Elm Bonsai

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Sunday, July 29, 2012

Glentronics PL-1 Intelligent Plant Light

Glentronics PL-1 Intelligent Plant Light Review


Glentronics PL-1 Intelligent Plant Light

Glentronics PL-1 Intelligent Plant Light Feature

  • Plant light; automatically changes amount of light depending on season
  • Just set season once; internal computer chip starts daylight cycle, simulating nature's clock
  • 9-watt, full-spectrum fluorescent bulb mimics sun's rays for optimum growth
  • Patent-pending design; sensor indicates when plant needs water
  • Accommodates plant up to 14 inches tall in a 5-1/2-inch pot

"Buy Glentronics PL-1 Intelligent Plant Light" Overview

The Intelligent Plant Light contains a computer chip that automatically changes the amount of light your plants get with each seasonYou will not be disappointed with Glentronics PL-1 Intelligent Plant Light

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Saturday, July 28, 2012

Bonsai Boy's Bonsai Training Pot 7 75 L x 5 5 W x 2 5 H Heavy Duty Plastic

Bonsai Boy's Bonsai Training Pot 7 75 L x 5 5 W x 2 5 H Heavy Duty Plastic Review


Bonsai Boy's Bonsai Training Pot 7 75 L x 5 5 W x 2 5 H Heavy Duty Plastic

Bonsai Boy's Bonsai Training Pot 7 75 L x 5 5 W x 2 5 H Heavy Duty Plastic Feature

  • Bonsai training pot - heavy duty plastic
  • Dark brown/black. Measures 7.75"x5.5"x2.5"

"Buy Bonsai Boy's Bonsai Training Pot 7 75 L x 5 5 W x 2 5 H Heavy Duty Plastic" Overview

Bonsai Training Pot - Heavy DutyYou will not be disappointed with Bonsai Boy's Bonsai Training Pot 7 75 L x 5 5 W x 2 5 H Heavy Duty Plastic

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Friday, July 27, 2012

Bonsai Boy's Ceramic Bonsai Pot - Cascade 3 0x4 0

Bonsai Boy's Ceramic Bonsai Pot - Cascade 3 0x4 0 Review


Bonsai Boy's Ceramic Bonsai Pot - Cascade 3 0x4 0

Bonsai Boy's Ceramic Bonsai Pot - Cascade 3 0x4 0 Feature

  • Ceramic bonsai pot measures 3" x 4"
  • Cascade style
  • Color Tan

"Buy Bonsai Boy's Ceramic Bonsai Pot - Cascade 3 0x4 0" Overview

Ceramic bonsai pot - cascadeYou will not be disappointed with Bonsai Boy's Ceramic Bonsai Pot - Cascade 3 0x4 0

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Thursday, July 26, 2012

Rectangle bonsai planter / pot - chinese ceramic, green glazed

Rectangle bonsai planter / pot - chinese ceramic, green glazed Review


Rectangle bonsai planter / pot - chinese ceramic, green glazed

Rectangle bonsai planter / pot - chinese ceramic, green glazed Feature

  • Vintage ceramic Bonsia pot
  • Pre-drilled drainage holes
  • Rustic finish for authentic bonsai presentation
  • Size: 7.75" x 4.75" x 1.5"H
  • Hand crafted in China circa 1970

"Buy Rectangle bonsai planter / pot - chinese ceramic, green glazed" Overview

Bonsai, the art landscape miniaturization of trees originated in China during the Han Dynasty (206 BCñ220 AD). The term bonsai or penjing can be applied to any miniature landscape planting. These little pots are perfect for small arrangements that can include plants, stones or figurines. To start plant a small jade tree, add a scholar stone or interesting rock shards and a mudman miniature and you've created your first easy miniature landscape. The rustic crafting of the ceramic clay pot helps enhance the pastoral appeal of your bonsai. Each planter is individually hand crafted and of vintage production, exhibiting the unique characteristics of handmade original art and old world charm.You will not be disappointed with Rectangle bonsai planter / pot - chinese ceramic, green glazed

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Wednesday, July 25, 2012

Brussel's Dawn Redwood Bonsai

Brussel's Dawn Redwood Bonsai Review


Brussel's Dawn Redwood Bonsai

Brussel's Dawn Redwood Bonsai Feature

  • Deciduous outdoor bonsai
  • Redwoods have elegant feather-like foliage
  • Supplied by America's largest bonsai nursery
  • 5 years old; 20 inches tall
  • Metasequoia glyptostrobibes

"Buy Brussel's Dawn Redwood Bonsai" Overview

Dawn Redwoods were thought to be totally extinct until they were discovered at a temple in China in early 20th century. These trees have beautiful feather-like foliage and a formal, upright style which is visually powerful and majestic.You will not be disappointed with Brussel's Dawn Redwood Bonsai

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Tuesday, July 24, 2012

Happy Bonsai Handcrafted Zisha Clay Painting 2-Tone Pot 3" Height

Happy Bonsai Handcrafted Zisha Clay Painting 2-Tone Pot 3" Height Review


Happy Bonsai Handcrafted Zisha Clay Painting 2-Tone Pot 3" Height

Happy Bonsai Handcrafted Zisha Clay Painting 2-Tone Pot 3" Height Feature

  • Beautiful, authentic artwork and natural color
  • Made of top-quality clay and baked in high temperatures, hence these pots are hardy for both very low and high temperatures
  • Potter's mark stamped on pots, footed with drainage hole
  • Size: approximate 11.5 x 9 x 7 cm / 4.6 x 3.6 x 2.8 inch (L x W x H )
  • Included: 1pc ONLY

"Buy Happy Bonsai Handcrafted Zisha Clay Painting 2-Tone Pot 3" Height" Overview

The landscape scenes on both the front and back side of the pot are handcrafted with clay of another natural color. This beautiful bonsai pot is made in Yixing, Jiangsu province , the famous pottery capital of ChinaYou will not be disappointed with Happy Bonsai Handcrafted Zisha Clay Painting 2-Tone Pot 3" Height

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Monday, July 23, 2012

BonsaiOutlet Bonsai Tree Pot - 6 inch - Classic Brown 6 -pack

BonsaiOutlet Bonsai Tree Pot - 6 inch - Classic Brown 6 -pack Review


BonsaiOutlet Bonsai Tree Pot - 6 inch - Classic Brown 6 -pack

"Buy BonsaiOutlet Bonsai Tree Pot - 6 inch - Classic Brown 6 -pack" Overview

This is a 6-inch classic deep brown bonsai pot 6-pack set.. Made of a poly-resin with a slightly matted finish. This pot is durable - won't crack in the winter, retains its color for years and is extremely economical. Our pots include drainage mesh. This bonsai pot and corresponding tray is the biggest selling color and style of bonsai pot in the world. Measurements are: 6 x 4 x 2 1/2 inches.You will not be disappointed with BonsaiOutlet Bonsai Tree Pot - 6 inch - Classic Brown 6 -pack

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Sunday, July 22, 2012

Brussel's Japanese Red Maple Bonsai

Brussel's Japanese Red Maple Bonsai Review


Brussel's Japanese Red Maple Bonsai

Brussel's Japanese Red Maple Bonsai Feature

  • Deciduous outdoor bonsai
  • Beautiful fall color
  • Custom grown by Brussel's Bonsai
  • 5 Years old; 16 inches tall
  • Acer palmatum 'Atropurpureum'

"Buy Brussel's Japanese Red Maple Bonsai" Overview

The foliage of Japanese Red Maples is a brilliant red, beginning when the leaves first emerge in the spring, continuing through the heat of summer and into autumn. Beautiful serrated, palmate leaves set this tree apart from all others.You will not be disappointed with Brussel's Japanese Red Maple Bonsai

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Saturday, July 21, 2012

BonsaiOutlet Bonsai Tree Pot & Tray - 6 inch - Classic Brown

BonsaiOutlet Bonsai Tree Pot & Tray - 6 inch - Classic Brown Review


BonsaiOutlet Bonsai Tree Pot & Tray - 6 inch - Classic Brown

"Buy BonsaiOutlet Bonsai Tree Pot & Tray - 6 inch - Classic Brown" Overview

This is a 6-inch classic deep brown bonsai pot and tray. Made of a poly-resin with a slightly matted finish. These pots are durable won't crack in the winter retain their color for years and are extremely economical. These pots include drainage mesh. These bonsai pots and trays are the biggest selling color and style of bonsai pots in the world. Measurements are: 6 x 4 x 2 1/2 inches.You will not be disappointed with BonsaiOutlet Bonsai Tree Pot & Tray - 6 inch - Classic Brown

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Friday, July 20, 2012

Happy Bonsai Handcrafted Bamboo-Shaped Yixing Pot 3" Height

Happy Bonsai Handcrafted Bamboo-Shaped Yixing Pot 3" Height Review


Happy Bonsai Handcrafted Bamboo-Shaped Yixing Pot 3" Height

Happy Bonsai Handcrafted Bamboo-Shaped Yixing Pot 3" Height Feature

  • Beautiful, authentic artwork and natural color
  • Made of top-quality clay and baked in high temperatures, hence these pots are hardy for both very low and high temperatures
  • Potter's mark stamped on pots, footed with drainage hole
  • Size: approximate 13 cm / 5.1 inch (Diameter),7.5 cm / 3 inch (Height)
  • Included: 1pc ONLY

"Buy Happy Bonsai Handcrafted Bamboo-Shaped Yixing Pot 3" Height" Overview

Authentic zisha pot made in Yixing, Jiangsu province , the famous pottery capital of ChinaYou will not be disappointed with Happy Bonsai Handcrafted Bamboo-Shaped Yixing Pot 3" Height

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Thursday, July 19, 2012

Japanese Secrets To Growing Healthy Bonsai Trees

The art of growing Bonsai trees has existed in Japan for centuries, spreading as miniaturized landscapes that were found in the Chinese culture, back in the early 1300s. Since that time, the art of growing healthy Bonsai trees has spread around the world, and secrets to miniaturizing all versions of plants can be learned, for beginners to this form of potted-planter gardening.

Japanese secrets to growing healthy Bonsai trees may include things such as the architecture of the garden itself. Dish-like pots and wooden trays were used in ancient times and in competitions ceramics were often used. In history, Samurai were said to sacrifice their last three dwarf potted trees, which were said to be plum, pine and cherry. Perhaps, those are ideal species to consider for Bonsai gardening in this time.

Over the years, shaping and training, pruning and cutting branches were added, besides the confinement of the roots in smaller containers. It is said that secrets were handed down through generations, being guarded with care. The first American Bonsai nurseries and clubs were said to be started by first and second-generation Japanese immigrants, back in the 1940's.

Leaf trimming includes the selective removal of leaves on deciduous trees and needles on conifers. Pruning, wiring, clamping, grafting and defoliation of branches are techniques used to create unique results. Deadwood Bonsai techniques simulate maturity, but it isn't unusual to find Bonsai trees that grow to be 100 years old.

Japanese secrets for growing Bonsai trees include watering at regular intervals, this needs to be needs-based on the particular species. Re-potting is dictated by the vigor of the tree, but loose, fast-draining soil and regular fertilization will keep your Bonsai trees healthy and free from root rot. The location of your Bonsai planter and the type of winters you have can determine how well your tree survives needed periods of dormancy. Few species of traditional Bonsai trees can survive in the house, but many people attempt to turn them into house plants.

In traditional Japanese secrets to growing healthy Bonsai trees, the majority of their natural life was spent in outdoor growing boxes, being periodically transplanted to containers, during periods of training, pruning and display. While miniaturization allows the tree to be kept small enough to be container-grown, most Japanese households display their Bonsais for a few days, on special occasion. An indoor display is temporary, since long-term survival requires moderate outdoor conditions.



My passion for bonsais came about because some years ago I was given a bonsai tree as a gift. At the time I knew nothing about bonsais, consequently with very little effort and a lot of love I managed to kill it. Then with the advent of the Internet I researched them and decided to try again and my interest grew from there and I am now an avid gardener with a passion for indoor plants. For information on bonsai, please visit me at http://www.whybonsai.net

Wednesday, July 18, 2012

Happy Bonsai 20 Mini Glazed Pots

Happy Bonsai 20 Mini Glazed Pots Review


Happy Bonsai 20 Mini Glazed Pots

Happy Bonsai 20 Mini Glazed Pots Feature

  • Beautifully glazed with elegant, attractive color
  • Made of top-quality clay and baked in high temperatures, hence these pots are hardy for both very low and high temperatures
  • Footed with drainage hole
  • Sizes approximate 4 cm / 1.6 inch; 3 cm / 1.2 inch (Diameter), 3 cm / 1.2 inch; 5 cm / 3 inch (Height)
  • Included: 20pc (5 sets) ONLY

"Buy Happy Bonsai 20 Mini Glazed Pots" Overview

Five sets of four glazed, mini bonsai pots. Perfect for your shohin mini bonsai!You will not be disappointed with Happy Bonsai 20 Mini Glazed Pots

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Tuesday, July 17, 2012

Zen Reflections Juniper Bonsai

Zen Reflections Juniper Bonsai Review


Zen Reflections Juniper Bonsai

Zen Reflections Juniper Bonsai Feature

  • This juniper bonsai will create the illusion of an aged miniature tree in nature
  • Makes a unique gift
  • Delivered in an 7" glazed clay pot, with Japanese suiseki balance stones and a miniature fisherman
  • We have chosen a hardy 3 year old juniper with trailing branches that are easy to train
  • ***PLEASE NOTE: POT MAY VARY FROM PHOTOS DUE TO AVAILABILITY***

"Buy Zen Reflections Juniper Bonsai" Overview

The term 'bonsai' literally translated from Japanese means tray planting or tree in pot. The term refers specifically to the training and artistic vision applied to the tree; ultimately this will give the illusion of an aged miniature tree in nature. It is more than just a little tree, it is an attempt to represent nature itself in a small pot. Translated as potted tree, bonsai trees are the attempt to represent larger natural tree forms in a diminutive scale. In this case we have chosen a hardy 3 year old juniper for its long trailing brances, which are easy to train into many fantastic bonsai styles. Delivered in a beautiful 7" glazed clay earth/water pot that is complimented by Japanese suiseki balance stones and a miniature fisherman.You will not be disappointed with Zen Reflections Juniper Bonsai

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Monday, July 16, 2012

Bonsai Boy's Ceramic Bonsai Pot - Rectangle 12 0 x 9 5 x 3 4

Bonsai Boy's Ceramic Bonsai Pot - Rectangle 12 0 x 9 5 x 3 4 Review


Bonsai Boy's Ceramic Bonsai Pot - Rectangle 12 0 x 9 5 x 3 4

Bonsai Boy's Ceramic Bonsai Pot - Rectangle 12 0 x 9 5 x 3 4 Feature

  • Glazed ceramic rectangle.
  • Measures 12.0" x 9.5" x 3.4" tall.
  • Color: green drip (mottled).

"Buy Bonsai Boy's Ceramic Bonsai Pot - Rectangle 12 0 x 9 5 x 3 4" Overview

Imported ceramic bonsai potYou will not be disappointed with Bonsai Boy's Ceramic Bonsai Pot - Rectangle 12 0 x 9 5 x 3 4

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Sunday, July 15, 2012

Bonsai Boy's Ceramic Bonsai Pot With Attached Humidity Drip Tray - Professional Series Oval 6 37 x 4 75 x 2 625

Bonsai Boy's Ceramic Bonsai Pot With Attached Humidity Drip Tray - Professional Series Oval 6 37 x 4 75 x 2 625 Review


Bonsai Boy's Ceramic Bonsai Pot With Attached Humidity Drip Tray - Professional Series Oval 6 37 x 4 75 x 2 625

Bonsai Boy's Ceramic Bonsai Pot With Attached Humidity Drip Tray - Professional Series Oval 6 37 x 4 75 x 2 625 Feature

  • Dark red orange bonsai pot, glazed, oval
  • Measures 6.37" x 4.75" x 2.625"

"Buy Bonsai Boy's Ceramic Bonsai Pot With Attached Humidity Drip Tray - Professional Series Oval 6 37 x 4 75 x 2 625" Overview

Imported ceramic bonsai pot.

Note: Our professional Series Pots are a little deeper than other pots of the same length and have groove marks on the sides and bottom of the pot to help anchor the roots. Professional Series Pots also come with heavy duty drainage hole covers and are pre-wired to assist you with wiring the tree into the pot.
You will not be disappointed with Bonsai Boy's Ceramic Bonsai Pot With Attached Humidity Drip Tray - Professional Series Oval 6 37 x 4 75 x 2 625

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Saturday, July 14, 2012

Jade green ceramic bonsai pot / planter - oblong, ridged corners

Jade green ceramic bonsai pot / planter - oblong, ridged corners Review


Jade green ceramic bonsai pot / planter - oblong, ridged corners

Jade green ceramic bonsai pot / planter - oblong, ridged corners Feature

  • Vintage ceramic Bonsia pot
  • Pre-drilled drainage holes
  • Size: 8" x 5.25" x 2.5"H
  • Hand crafted in China circa 1970

"Buy Jade green ceramic bonsai pot / planter - oblong, ridged corners" Overview

Bonsai, the art landscape miniaturization of trees originated in China during the Han Dynasty (206 BCñ220 AD). The term bonsai or penjing can be applied to any miniature landscape planting. These little pots are perfect for small arrangements that can include plants, stones or figurines. To start plant a small jade tree, add a scholar stone or interesting rock shards and a mudman miniature and you've created your first easy miniature landscape. The rustic crafting of the ceramic clay pot helps enhance the pastoral appeal of your bonsai. Each planter is individually hand crafted and of vintage production, exhibiting the unique characteristics of handmade original art and old world charm.You will not be disappointed with Jade green ceramic bonsai pot / planter - oblong, ridged corners

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Friday, July 13, 2012

10 inch Yixing Bonsai Water Pot

10 inch Yixing Bonsai Water Pot Review


10 inch Yixing Bonsai Water Pot

"Buy 10 inch Yixing Bonsai Water Pot" Overview

Yixing ceramics are considered to be among world's very best. Ideal purple clay from the Yangtze River combined with high level craftsmanship (with the craftsman's mark on the bottom of every pot), make for beautifully elegant pots. Suitable for your verYou will not be disappointed with 10 inch Yixing Bonsai Water Pot

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Thursday, July 12, 2012

How To Grow And Maintain A Bonsai Tree

Shaping and dwarfing are accomplished through a few basic but precise techniques. The small size of the tree and the dwarfing of foliage are maintained through a consistent regimen of pruning of both the leaves and the roots. Various methods must be employed, as each species of tree exhibits different budding behavior. Additionally, some pruning must be done seasonally, as most trees require a dormancy period and do not grow roots or leaves at that time; improper pruning can weaken or kill the tree.

Most species suitable for bonsai can be shaped by wiring. Copper or aluminum wire is wrapped around branches and trunks, holding the branch in place until it eventually lignifies and maintains the desired shape (at which point the wire should be removed). Some species do not lignify strongly, or are already too stiff/brittle to be shaped and are not conducive to wiring, in which case shaping must be accomplished primarily through pruning.

To simulate age and maturity in a bonsai, deadwood features called "jin" and "shari" can be used to good effect with coniferous bonsai, especially: "jin" is created by removing the bark from an entire branch to create a snag of deadwood, while "shari" involves stripping bark from areas of the trunk, simulating natural scarring by limbs being torn free. Care must be taken when employing these techniques, because these areas are prone to infection, and removal of too much bark will result in losing all growth above that area. Also bark must never be removed in a complete ring around the trunk as it contains the phloem and will cut off all nutrient flow above that ring.

Watering

Because of limited space in the confines of a bonsai pot, bonsai care can be quite difficult. The shallow containers limit the expanse of the root system and make proper watering practically an art in itself. While some species can handle periods of relative dryness, others require near-constant moisture. Watering too frequently or allowing the soil to remain soggy can promote fungal infections and "root rot". Sun, heat and wind exposure can quickly dry a bonsai tree to the point of drought, so the soil moisture should be monitored daily and water given copiously when needed. The soil should not be allowed to become "bone dry" even for brief periods. The foliage of some plants cultivated for bonsai, including the common Juniper, do not display signs of drying and damage until long after the damage is done, and may even appear green and healthy despite having an entirely dead root system.

Bonsai should not be allowed to become waterlogged, as this may lead to root rot. Neither should the soil be allowed to dry too completely before rehydration. Watering techniques vary, with some growers preferring to water with a fine rose on a watering can or hose, while others immerse their trees in a water-filled basin to the height of the container lip.

Repotting

Bonsai are generally repotted and root-pored around springtime just before they break dormancy. Bonsai are generally repotted every two years while in development, and less often as they become more mature. This prevents them from becoming pot-bound and encourages the growth of new feeder roots, allowing the tree to absorb moisture more efficiently.

Wiring

Bonsai wiring is one of the most powerful tools to control the shape of the tree. The best time to wire a tree is in spring or fall when there is not as much foliage and the tree will not be too stiff. (Trees become stiff in winter while dormant because the sap pressure of the trunk and branches is much lower.)

To wire the tree, wrap the trunk. Then wrap each branch in spirals of bonsai wire so that the branch may be bent. The tree will then train the branch to grow in the desired direction. Another method of wiring involves attaching weights to the branches, causing them to sag and creating the impression of age.

Generally, wire is left on for one growing season. The tree should not be allowed to outgrow the wire, since this could cause the bark to become bound to the wire, making removal traumatic. When the time comes to remove the wire, it should be cut away in small pieces (rather than winding it off) as this will cause less damage to the foliage.

The thickness of the wire used should be in proportion to the size of the branch larger branches will require lower gauge wire. Two pieces of thinner wire paired together can be used in lieu of heavier wire. It is bad form to let any wires cross; this is most readily accomplished by starting from the base of trunk and working up.

When bending the branches, one should listen and feel for any sign of splitting. When bending a branch near the trunk extra caution should be used, as the branch is generally most brittle near the trunk. It is possible to gradually bend a branch little by little over the course of several months.

When working with the branches, consideration should be given to the style desired.

Tools

Special tools are available for the maintenance of bonsai. The most common tool is the concave cutter, a tool designed to prune flush, without leaving a stub. Other tools include branch bending jacks, wire pliers and shears of different proportions for performing detail and rough shaping. Anodized aluminum or copper wire is used to shape branches and hold them until they take a set.

Fertilization and soil

Opinions about soil mixes and fertilization vary widely among practitioners. Some promote the use of organic fertilizers to augment an essentially inorganic soil mix, while others will use chemical fertilizers freely. Bonsai soils are constructed to optimize drainage [3]. Bonsai soil is primarily a loose, fast-draining mix of components, often a base mixture of coarse sand or gravel, fired clay pellets or expanded shale combined with an organic component such as peat or bark. In Japan, volcanic soils based on clay (akadama, or "red ball" soil, and kanuma, a type of yellow pumice) are preferred.

Containers

Every bonsai pot is equipped with drainage holes to enable the excess water to drain out. Each hole is typically covered with a plastic screen or mesh to prevent soil from escaping. Containers come in a variety of shapes and colors (glazed or unglazed). The ones with straight sides and sharp corners are generally better suited to formally presented plants, while oval or round containers might be used for plants with informal shapes. Most evergreen bonsai are placed in unglazed pots while deciduous trees are planted in glazed pots. It is important that the color of the pot compliments the tree. Bonsai pots are produced all over the world, some are higher quality than others and some are highly collectable such as ancient Chinese or Japanese pots made in highly touted regions with experienced pot makers such as Tokoname, Japan. However, highly collectable pots are not just confined to Asia, European Artists such as Byran Albright and Gordon Duffett produce unique pots which Bonsai artists collect.

Pre-Bonsai materials are often placed in "growing boxes" which are made from scraps of fence board or wood slats. These large boxes allow the roots to grow more freely and increase the vigor of the tree. The second stage after using a grow box is to plant the tree in a "training box" this is often smaller and helps to create a smaller dense root mass which can be more easily moved into a final presentation pot.

Location

Contrary to popular belief, bonsai are not suited for indoor culture, and if kept indoors will most likely die. While certain tropical plants (Ficus, Schefflera, etc.) may flourish indoors, most bonsai are developed from species of shrubs or trees that are adapted to temperate climates (conifers, maples, larch, etc) and require a period of dormancy. Most trees require several hours of direct or slightly filtered sun every day.

Overwintering

Some trees require protection from the elements in winter and the techniques used will depend on how well the tree is adapted to the climate. During overwintering, temperate species are allowed to enter dormancy but care must be taken with deciduous plants to prevent them from breaking dormancy too early. In-ground cold frames, unheated garages, porches, and the like are commonly used, or by mulching the plant in its container up to the depth of the first branch or burying them with the root system below the frost line.

Mallsai

Inexpensive bonsai trees often sold in chain stores and gift shops are derisively referred to as "mallsai" by experienced bonsai growers, and are usually weak or dead trees by the time they are sold. Often these bonsai are mass produced and are rooted in thick clay from a field in China. This clay is very detrimental to the bonsai, as it literally suffocates the roots and promotes root-rot. Very little if any shaping is done on mallsai, and often the foliage is crudely pruned with little finesse to resemble a tree. Due to the conditions under which they are transported and sold, they are often inadequately watered and are kept in poor soil, usually a clump of sphagnum moss or the aforementioned clay with a layer of gravel glued to the top, which leaves them susceptible to both drying and fungal infections. Some "mallsai" can be resuscitated with proper care and immediate repotting, although this is reportedly rare. This top layer of glued-on gravel should be immediately removed once the bonsai is purchased, and the plant should be repotted in a good bonsai soil such as akadama.

Collecting

Bonsai may be developed from material obtained at the local garden center, or from suitable materials collected from the wild or urban landscape. Some regions have plant material that is known for its suitability in form - for example the California Juniper and Sierra Juniper found in the American West, and Bald Cypress found in the swamps of Louisiana and Florida.

Collected trees are highly prized and often exhibit the characteristics of age when they are first harvested from nature. Great care must be taken when collecting, as it is very easy to damage the tree's root system (often irreparably) by digging it up. Potential material must be analyzed carefully to determine whether it can be removed safely. Trees with a shallow or partially exposed root system are ideal candidates for extraction. There is a legal aspect to removing trees, so the enthusiast should take all steps necessary to ensure permission from the owner of the land before attempting to harvest. If not, consider the right of the plant to stay where it is undisturbed.



For more details I recommend this guide about Bonsai Tree [http://www.caringbonsaitree.info/], is excellent and easy to follow. Learn the secrets of bonsai tree maintenance [http://www.caringbonsaitree.info/].

Wednesday, July 11, 2012

A Beginner's Guide to Bonsai Gardening

The majority of the dwarfed potted trees or bonsai generally seen are developed from ordinary nursery stock or from somewhat dwarfed trees found in a natural habitat. This is where you begin bonsai gardening.

In late winter or early spring, possibly while drinking tea, you begin to fancy the shape of the tree when finished. The man experienced in training with wire changes ordinary little trees into different forms almost instantly, sometimes to a shape seen in naturally dwarfed trees. The wiring specialist's way is about like this: in the autumn the tree should have been potted so that the trunk is inclined to slant.

Then in spring, to shorten the trunk in height and lower the branches, a wire is fastened to the trunk near the surface of the soil in the pot, and again attached higher up so the trunk can be pulled downward, away from the direction of the slant. It should be fastened at the desired bend with the wire.

After the operation the little tree will have been considerably lowered, and then another wire is fastened at the forked part, the end of the wire coiling around the trunk; carefully wind the wire toward the tip, having an inch or more in intervals of the spiral. The branch is then ready to be shaped and fixed to the desired form. The second upper branch is treated in the same way, then the third, and so on.

After one or two years, in many cases, the trunk and branches should be settled in the desired positions, so the winding wires are no longer needed, and may be taken off. From year to year the tree is improved in form and foliage as the result of careful pinching of certain tip buds, shortening or removing undesired strong shoots, repeating the pinching often in a season according to the kind of tree and further winding the wire to change the form or improve it.

Gradually the artificial look lightens and the "made-up" tree becomes the natural-looking tree. The course of bonsai gardening which takes years is very fascinating to fanciers, novices and experts alike. It is not unusual in a day's stroll in the villages or towns in Japan, wherever you may be, to come across people who train dwarf trees-they are a set of cheerful boasters.

Ordinary stock of pines, daphnes, azaleas, maples and such ornamentals, when only one or two feet high, are often bent almost upside down, by wire-winding the trunk. Heavy copper wire is used, branches are wound with lighter wire and bent so as to achieve the desired form. Whenever wiring is practiced, soil in the pot should be drier than usual so trunks and branches are easily worked. Copper wire of heavy gauge should be heated to red-heat, then cooled slowly before using. This makes it easier to bend. But beware. Once bent, it hardens again quickly.

Some fanciers do not like to use wire, but the operation is not so shocking as vivisection and not as unnatural as "miniature" gardens sold in America- even though the trees have been completely "revolutionized." After a course of bonsai gardening, the trees grow naturally and look natural; the chief difference is that they grow less rapidly than the ordinary nursery stock. But normal, healthy foliage is produced in tidier textures.



If You Are Interested In Growing Your Own Bonsai - You Can!

Visit: http://www.bestbonsaibook.com

Tuesday, July 10, 2012

Joebonsai Three Piece Bonsai Pot Set 8/10/12

Joebonsai Three Piece Bonsai Pot Set 8/10/12 Review


Joebonsai Three Piece Bonsai Pot Set 8/10/12

"Buy Joebonsai Three Piece Bonsai Pot Set 8/10/12" Overview

This is a 3 piece assortment of classic deep brown bonsai pots made of a poly-resin with a slightly matted finish. These pots are durable won't crack in the winter retain their color for years and are extremely economical. These pots include drainage mesh - a .00 value. These are the biggest selling color and style of bonsai pot in the world. Measurements are: 11 1/2 x 8 x 3 1/4 inches 9 1/2 x 6 3/4 x 2 3/4 inches 7 3/4 x 5 1/2 x 2 1/2 inches Consider our matching 3 piece set of humidity trays to compliment these bonsai pots.You will not be disappointed with Joebonsai Three Piece Bonsai Pot Set 8/10/12

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Monday, July 9, 2012

Sacred Japanese Cedar 35 Seeds - Cryptomeria japonica

Sacred Japanese Cedar 35 Seeds - Cryptomeria japonica Review


Sacred Japanese Cedar 35 Seeds - Cryptomeria japonica

"Buy Sacred Japanese Cedar 35 Seeds - Cryptomeria japonica" Overview

Japanese cedar is a tall, cone-shaped evergreen with bluish green foliage and a massive trunk with thick reddish brown bark that shreds and peels in long strips. This is a fast-growing tree that, in its native habitat, can get more than 180' tall with a trunk diameter exceeding 12'; ornamental specimens are rarely more than 60' tall, though, and many of the named selections stay much smaller. The branches are arranged in horizontal tiers, ascending at first, then drooping near their ends. The flattened, wedge-shaped leaves are about a half-inch long and point forward, while their bases clasp the twigs. The leaves are overlapping and crowded in 5 ranks that spiral around and completely cloak the twigs. Culture Japanese cedar can grow to 25' tall in just 10 years. Light: Full sun to partial shade. Moisture: Japanese cedar needs well-drained soil but plenty of water for best growth. Never allow the soil to dry out and mist if the humidity stays very low. Hardiness: USDA Zones 6 - 9. In zones 6 and 7, expect the foliage to turn brown or purplish in winter. Propagation: Japanese cedar can be grown from seed. Named cultivars are propagated vegetatively by rooting mature tip cuttings in late summer or autumn, or by layering. To start a new plant by layering, cram a section of branch into a pot or bury it in the ground. Water occasionally and in a couple of months the potted section will have roots, and you can sever the branch from the mother plant. Allow it establish for another month or two before moving. Young, well-rooted specimens transplant easily.You will not be disappointed with Sacred Japanese Cedar 35 Seeds - Cryptomeria japonica

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Sunday, July 8, 2012

Palm Trees Suitable For Containers Used Outside And Inside Your Home Or Office

Dioon (Gum) Palm Tree - Dioon spinulosum Giant Dioon is technically a cycad of pre-historical origin, and the Dioon palm tree can grow up to 1 ½ ft. in diameter with a Dioon trunk growing twelve feet tall. The bright waxy-green leaves of the Dioon are feather-like and pointed on the tips. The giant Dioon palm tree is a favorite container plant and will tolerate temperatures of 25 degrees F., without any significant effect or leaf change.

Bamboo Palm Tree, Reed Palm Tree - Chamaedorea erumpens, Chamaedorea seifrizii The Bamboo Palm tree thrives indoors when grown in low light. The Bamboo Palm tree is a popular and successful plant for growing in homes, offices, malls and courtyards. The bamboo-like segments are spreading by underground shoots, resulting in this bamboo-like container palm tree being easy to grow and maintain. The plant care is simple, requiring simple watering. As a native grown palm tree from Mexico, the Bamboo Palm is found growing as an understory palm tree under taller palm trees.

Lady Palm Tree - Rhapsis excelsa The Lady Palm tree historically dates back to the 1600's when Japanese and Chinese propagated the palm trees to be grown inside the Imperial residences. The Lady palm trees were imported by European monarchs and admired because of their qualities of long-life, easy maintenance and unique beauty and their attraction to be used as an ornamental plant. Lady Palm trees, Rhapsis excelsa, can grow twelve feet tall in clumps or clusters under low artificial light. Very few palm trees have the advantage of large indoor growing as does the Lady Palm tree, Rhapsis excelsa.

Ponytail (Bottle) Palm Trees - Beaucamea recurvata Often called the Elephant Foot palm tree, the Ponytail (Bottle) palm tree, Beaucamea recurvata, grows a swollen base, shaped like a perfume bottle with a narrow neck that corresponds to the trunk capped with a canopy of (ponytail) leaves. Often grown as a low-light bonsai specimen, the Ponytail palm tree can grow for years and years and slowly grows-easily manageable. Ponytail palm trees are available in variegated forms but are difficult to maintain when compared to the green form of the Ponytail palm trees (Bottle), Beaucamea recurvata.

Queen palm trees, Syagrus romanzoffianum (Arecastrum romanzoffianum) (Queen Palm) The Queen palm trees grow to 50 feet tall in zones 9-11 and is cold hardy in temperatures of 20* F. The Queen palm tree can be easily grown in large pots that add a tropical flair to pool and patios. In the deep south, Queen palm trees are landscaped for parking lots, airport entrances, commercial, and home landscapes. Queen palm trees grow fast and provide fast growing for shade and the tropical look. Queen palm trees, Syagrus romazoffianum (Queen Palm) are important container trees for screens used for outside restaurants and cafes.

Triangle (Madagascar-Triangle) palm tree, Dypsis decaryi. The triangle shape of the leaf bases makes the triangle palm trees from the island of Madagascar, a popular palm tree in the nursery trade. The Madagascar (Triangle) palm tree thrives in full sun and is cold hardy to below freezing temperatures. The Madagascar (Triangle) palm tree, Dypsis decaryi, will turn heads to attention when grown and planted at outside restaurants and cafes in containers.

Zamia (Coontie) Palm Tree - Zamia pumila William Bartram, the famous American botanist and explorer discovered the Zamia Palm tree growing in Central Florida on an expedition in the year 1773. William Bartram wrote page 160 in his book Travels. "The Zamia pumila the Erythryna corallodendrum (Cardinal Spear), and the Cactus opuntia, grow there in great abundance in perfection. The first grows in pine forests, in tufts or clumps, a large conical strobile disclosing, its coral red fruit which appears singularly beautiful amidst the deep green fern-like pinnate leaves." William Bartram's description for Zamia (Coontie) palm trees, Zamia pumila is vivid and accurate even 233 years past. Zamia (Coontie) palm trees thrive as outside plants, Zones 9-11, also as containerized palm trees for that tropical look. Clumps of Zamia pumila can easily divide to form real plants or the seeds can be planted to grow new Zamia (Coontie) palm trees that are fast growing.

Zamia (Cardboard) palm tree - Zamia furfuracea The cardboard palm tree is a clumping cycad that grows 3 feet tall in tight clusters that often reach a diameter of 6 feet. The fleshy base is full of water, giving drought protection. The cardboard palm tree, Zamia furfuracea, can be planted outside where temperatures do not go below freezing, and is especially popular to use as bedding plants at resorts such as the Cloister Hotel at Sea Island, Georgia. As a container plant, the cardboard palm tree grows well as specimen or accent plants.



Learn more about various plants, or purchase ones mentioned in this article by visiting the author's website: TyTy Nursery

Friday, July 6, 2012

10 inch Bonsai Pots with Trays | 6 pack from joebonsai

10 inch Bonsai Pots with Trays | 6 pack from joebonsai Review


10 inch Bonsai Pots with Trays | 6 pack from joebonsai

10 inch Bonsai Pots with Trays | 6 pack from joebonsai Feature

  • This is a six-pack of 10-inch classic deep brown bonsai pots with matching humidity trays
  • These pots are durable won't crack in the winter retain their color for years
  • These pots include drainage mesh

"Buy 10 inch Bonsai Pots with Trays | 6 pack from joebonsai" Overview

This is a six-pack of 10-inch classic deep brown bonsai pots with matching humidity trays. All made of a poly-resin with a slightly matted finish. These pots are durable won't crack in the winter retain their color for years and are extremely economical. These pots include drainage mesh. These bonsai pots and trays are the biggest selling color and style of bonsai pots in the world.Measurements are: 9 1/2 x 6 3/4 x 2 3/4 inches.You will not be disappointed with 10 inch Bonsai Pots with Trays | 6 pack from joebonsai

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Thursday, July 5, 2012

Bonsai Boy's Imported Glazed Ceramic Bonsai Pot -Blue 4 5x3x2

Bonsai Boy's Imported Glazed Ceramic Bonsai Pot -Blue 4 5x3x2 Review


Bonsai Boy's Imported Glazed Ceramic Bonsai Pot -Blue 4 5x3x2

Bonsai Boy's Imported Glazed Ceramic Bonsai Pot -Blue 4 5x3x2 Feature

  • 4.5"x3"x2"
  • Chinese Pot
  • Blue, Rectangular Pot

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Imported glazed ceramic container. Blue rectangle. Measures 4.5"x3"x2".
You will not be disappointed with Bonsai Boy's Imported Glazed Ceramic Bonsai Pot -Blue 4 5x3x2

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Wednesday, July 4, 2012

Camellias

Named by Linnaeus in 1735 in honour of the Jesuit priest and naturalist Georg Josef Kamel, Camellia is a genus originating mainly from China but with a range covering a large area of South East Asia. The exact number of species is not clear but it is somewhere around 100. Camellia is an important commercial genus because of one species, Camellia sinensis, the plant from which tea is made.

Most gardeners recognise two main groups of camellias, the autumn flowering and the spring flowering. However, it is not quite that simple. Whenever a genus of many species (such as
Rhododendron, Rosa or Camellia) is used to produce a multitude of hybrids distinct groups tend to form.

There are four main camellia groups: Japonica, Reticulata, Sasanqua and Hybrid, with a number of smaller groups based around less common species, such as Camellia hiemalis, and inter-specific hybrids, such as Camellia × williamsii (Camellia japonica × Camellia saluensis).

It's a commonly held belief among gardeners that Sansanquas are the autumn flowering camellias while the rest are spring flowerers. That's not really true, certainly the Sasanquas are usually the first to bloom but with careful selection and siting it is possible to have more or less continuous flowering from early autumn to late spring.

Cultivation

Camellias are often associated with rhododendrons and azaleas and, while not that closely related, they certainly prefer similar conditions. This is not at all surprising as they come from similar climates and can often be found growing together in the wild.

Camellias are generally less tolerant of extreme cold than the hardiest rhododendrons but they are by no means fussy plants. Most species and hybrids are hardy throughout the country, needing no protection except perhaps in very cold winter areas, and the summers here are
not usually hot and dry enough to cause much damage.

To get the best out of your camellias it is important that you follow the same soil preparation methods as recommended for rhododendrons. Camellias have stronger and deeper roots but they still require the same moist, humus filled, loose, well-oxygenated topsoil if they are to thrive. Likewise regular mulching is always beneficial.

Camellias prefer a neutral to acid soil and will not tolerate the extreme acidity that most rhododendrons will. On highly acid soils the addition of small amounts of dolomite lime will not only increase the pH but will allow easier uptake of nutrients.

Once established most camellias seem to get by quite well without too much attention but they are subject to the same chlorosis problems as rhododendrons so occasional supplementary feeding is recommended. Containerised camellias should be fed regularly as they are far more subject to deficiencies due to their limited root spread.

Camellias do best in sheltered positions in light shade or where they get only morning sun. This is not so much for the plant's sake as the flowers'. The plants will tolerate exposed sunny sites but the flowers won't. Too dense shade will promote lank growth and reduce flowering. Too sunny and the flowers will burn and drop prematurely. A site that is exposed to strong winds will dramatically shorten the life of any flowers but especially camellias.

Disbudding

Many camellias set large quantities of flower buds that often result in densely crowded small bloom. Thinning out the more densely packed and weaker flower buds will produce larger blooms of better shape.

Propagation

Camellias are not always easy to propagate without specialised equipment. Seed germinates well but is of limited usefulness as it can only be used to raise new cultivars or to propagate species. Selected forms must be propagated vegetatively.

Cuttings should be taken just as the new growth is hardening off. This is usually around the end of November. Take new tip growth cuttings that are about 100-150 mm long and follow the procedures outlined in the propagation chapter. The cuttings may take several months to strike without mist or bottom heat.

Layering is very successful with camellias but frequently there are no branches close enough to ground level to layer. In such cases aerial layering is a reliable, if slow, method.

Occasionally a camellia cultivar fails to perform well on its own roots. In which case grafting onto a more vigorous stock may be necessary. Standard camellias are nearly always produced by grafting rather than simply training a standard stem.

Cleft grafting is the usual method used, however, saddle grafts and side wedges will work too. Budding is seldom used but there is no reason why it shouldn't be successful. Specialised methods, such as seed grafts, are sometimes used but these are for genuine enthusiasts that are prepared to experiment.

Pests And Diseases

Camellias are relatively disease free but you may occasionally encounter one of the following problems.

Viral diseases

These are quite common among camellias, in fact, viruses are sometimes deliberately introduced to obtain variegated flowers and foliage. The most common virus shows up as a bright yellow leaf margin. This is known as virus induced variegation. In minor cases it does little harm but it can weaken a plant by reducing the amount of available chlorophyll. Virus diseases cannot be cured, once infected the plant remains infected.

Phytophthora root rot

This disease affects many types of plants, particularly those that prefer acid woodland conditions. This fungus disease kills the plant's roots, which leads to the characteristic wilted appearance and ultimately death. Generally the symptoms are not obvious until too late. Prevention through ensuring that the soil is well drained is the best method. Plants can sometimes be saved by washing off the soil, removing the dead roots, drenching with fungicide then replanting in a well-drained position but it's seldom worth the effort.

Leaf gall

A fungal disease similar to that seen on evergreen azaleas occasionally occurs on camellias. It causes a thickening and distorting of the leaves, which is eventually become white with fungal spores. Remove any affected leaves and spray the plant with a fungicide. Do not allow affected leaves to drop near the plant.

Petal blight

This fungal disease cause the flowers to degenerate to watery mush and can damage much of the crop. Control with fungicides prior to bud break and remove any fallen petals from around infected bushes.

Die-back

This can be a serious, even fatal, problem. The foliage of young branches wilts and browns then the stem begins to die back from the tip. A canker develops that eventually ringbarks the stem causing its death. If the cankers spread to the main stems the plant may die. Treatment with fungicides will help but is not entirely successful. Overcrowding, poor drainage and poor ventilation can all contribute to this problem as well as making the spread of the disease easier.

Camellias are generally not attacked by any particularly unusual insect pests, just the run of the mill, aphids, scale, caterpillars, leaf rollers and thrips. The usual control measures are effective on camellias too.

Bagworms can cause significant damage at times. The leaf covered silken bags (see illustration) are made by the larvae and the flightless adult females of the moth Liothula omnivora. The larvae feed from within the bag, which they carry around with them for protection and camouflage. Hand picking is the simplest control, the use of insecticides is not warranted except in cases of severe infestation.

Training

Besides their normal bushy habit many camellias are suitable subjects for training. The most common forms are the standard and the espalier.

Standards can be created in two ways. The easiest is to select a young plant with a single straight stem and simply remove the lower foliage and any side shoots as they appear. Stake the main stem as it grows and once it has reached the desired height nip out the tip growth to induce the branching that will eventually form the head.

The process can be speeded up by grafting but the mechanics are not as simple. Select a vigorous upright plant that will rapidly produce the standard trunk and graft your selected cultivar onto it at the desired height. Cleft grafts are the preferred method for camellias but I have found side wedge grafts to be successful. Grafting is the only practical way to produce a weeping standard.

Espaliering is just a matter of selecting an appropriate plant and having the patience to wait long enough to see the results. There are several methods of training the branches to achieve the best coverage but most camellias with thin pliable stems (primarily Sasanquas) can be espaliered with little effort. Remember though, camellias are not natural climbers, espaliers need to be secured to the structure against which they are growing.

Other special forms.

Camellias can make effective hedges, either tightly clipped or grown informally. As might be expected of a genus that contains the tea plant camellias can withstand frequent trimming when actively growing.

Some camellias are suitable for use as ground covers but usually only while they are young. In time all but the most prostrate forms will develop into mounding bushes rather than true ground covers. Pegging the branches down as the plants grow is the only way to ensure this doesn't happen.

Camellias in containers

Camellias adapt well to container growing but they are quick to show signs of nutrient deficiencies. Nothing looks less appealing than a badly chlorotic camellia in a tiny pot. However, with regular fertilising and the right sized containers camellias will thrive and bloom heavily in pots.

As with all container plants, remember that their roots are far less insulated from the elements than those of plants in the open ground. Make sure containerised camellias get regular water in summer and in cold winter areas move the containers to sheltered positions for winter to avoid having the soil freeze solid.

Flower forms

Camellias are available in several different flower forms. The descriptions in this book are kept as simple as possible but occasionally the technical terms must be used. The terms single, semi-doubleand double are familiar and fairly self-explanatory but most of the following terms are peculiar to camellia cultivation.

Anemone

A style with large outer petals and massed small central petaloids.

Peony (paeony) and informal double

Large outer petals and smaller loosely clustered central petals and petaloids. The more fully petalled flowers are known as full peony form.

Rose form double

A double flower that opens fully to reveal the stamens, like a fully blown rose.

Formal double

This flower type has perfectly arranged concentric circles of neatly overlapping petals. Some have the petals in a very clearly defined spiral pattern.

There are also rules governing the terms used to describe the size of flowers but as most non-specialist gardeners find these to be more confusing than useful they have not been strictly adhered to.

Species and cultivars

The following selection of species and cultivars includes those most popular for garden use or that have interesting or unusual features. They are divided into hybrid groups.

Species

These are the most popular or influential of the species but they are not widely available in nurseries, most gardeners preferring the hybrids.

Camellia chrysantha (China)

A yellow camellia was a long sought after aim of plant breeders, hence the basically white cultivars with optimistic names such as 'Brushfield's Yellow'. However, in 1980 a real yellow camellia was found in the Guangxi province of China. It flowered for the first time in the West in 1984 and has since been the subject of great interest and speculation among camellia growers. It is a large species that can reach 5 m high. The large leaves are deep green and heavily veined. The bright yellow flowers are only about 60 mm diameter but it is not the size of the flowers but their potential for hybridising that initially had breeders so enthused. Reasonably hardy but prefers consistent cool to moderate temperatures, intolerant of extremes. Camellia societies have a few plants of this species but even now it is not generally available through garden centres.

Camellia forrestii (China, Vietnam)

A large shrub or small tree native with narrow elliptical leaves and small white flowers that are mildly fragrant. Early to mid season.

Camellia fraterna (China)

Grows to about 5 m high. Small elliptical leaves. 25 mm diameter white flowers with white stamens and prominent gold anthers. Slightly fragrant. Not totally hardy. Flowers mid season.

Camellia granthamiana (Hong Kong)

Very rare in the wild; known, until recently, from just one plant found in 1955. It may be a natural hybrid rather than a true species. Grows to about 3 m high. Deep green heavily veined elliptical leaves up to 200 mm long. Creamy white flowers up to 150 mm diameter with massed golden stamens. Flowers early. Not totally hardy.

Camellia hiemalis (Japan)

Not known in the wild and probably a natural hybrid between Camellia japonica and Camellia sasanqua. Grows to about 3.5 m high. 30 mm diameter pale pink flowers with golden stamens. Small to medium sized elliptical leaves. Flowers early.

Camellia kissi (North East India to Southern China)

May grow as high as 12 m but usually consideably smaller. Medium sized narrow leaves. Small white flowers that are usually fragrant. Flowers mid season to late.

Camellia lutchuensis (Southern Japan including Okinawa)

Grows to about 3 m high. Small leaves about 40 mm long. Very fragrant 50 mm diameter white flowers with white stamens and gold anthers. Not always easy to grow and not totally hardy. Flowers mid season to late.

Camellia japonica (Japan, Eastern China and Korea)

The parent of a vast number of cultivars. May grow to 15 m high in the wild. Broad deep green elliptical leaves up to 125mm long. The flower colour is variable but is usually red. Easily grown. Flowers mid season. There are several cultivated forms.

Camellia oleifera (Northern India, Southern China and South East Asia)

Grows to about 7 m high. Medium sized elliptical leaves with little or no serrations. Small white flowers with yellow stamens and slightly twisted petals. Mildly fragrant. Flowers mid season to late.

Camellia pitardii (Southern China)

Grows to about 7 m high. Medium sized heavily veined leaves up to 100 mm long. Small white, pink or white flushed pink flowers. Blooms mid season to late.

Camellia reticulata (Southern China)

Extensively used in hybridising. grows up to 15 m high in the wild. Large broad elliptical leaves with prominent veins (reticulate). 75 mm diameter mid pink flowers. Blooms mid season to late.

Camellia salicifolia (Hong Kong and Taiwan)

Grows to about 5 m high. 45 mm long narrow elliptical to oblong leaves with a very slight tomentum. Loose white flowers with white stamens. Mild fragrance. Flowers mid season to late.

Camellia saluenensis (Southern China)

Grows to about 5 m high. 45 mm long narrow elliptical leaves. 50 mm diameter white to mid pink flowers with small golden stamens. May be single or semi-double. Flowers mid season to late.

Camellia sasanqua (Japan and Ryukyu Islands)

Grows to about 5 m high. The leaves are around 55 mm long , usually narrow and distinctly pointed. 50 mm diameter white to pale pink flowers with yellow stamens. Occasionally slightly fragrant. Flowers early.

Camellia sinensis (India to China and South East Asia)

The tea plant is the most commercially important camellia. May grow to 15 m high but usually kept much smaller. Leaf size is variable; they are usually around 125 mm long but in mild moist climates they may be up to 225 mm long × 75 mm wide, heavily veined. White flowers (occasionally pale pink), about 40 mm diameter with yellow stamens. Flowers early.

Camellia transnokensis (Taiwan)

An upright bush to about 3 m high. Small bronze green leaves. Clusters of very small (25 mm diameter) white flowers with white stamens and golden anthers. Pink buds. Flowers mid season to late.

Camellia tsai (Southern China, Burma and Vietnam)

Grows to about 10 m high in the wild but usually far smaller in gardens. 90 mm long glossy bronze green elliptical leaves. Slight weeping growth habit. Clusters of small white flushed pink flowers. Mildly fragrant. Flowers mid season. Not totally hardy.

Sasanqua and Hiemalis

A group of primarily early flowering plants (autumn to late winter) that is made up of varieties and hybrids of three species; Camellia sasanqua, Camellia hiemalis and Camellia vernalis.

Akebono

Small deep green leaves. Single mid pink flowers. Excellent hedge or espalier.

Bonanza

Medium to large semi-double deep red flowers. Long flowering season. Medium sized plant, upright growth. Good in tubs.

Bonsai Baby

Small deep red double flowers. Low, somewhat spreading growth habit.

Chansonette

Large deep pink double flowers with slightly ruffled petals. A densely foliage medium sized bush. Suitable for most styles of training.

Cotton Candy

Large soft pink semi-double flowers with slightly ruffled petals. Strong growing but inclined to be rather open and benefits from regular trimming to shape.

Exquisite

Large very pale pink single flowers with ruffled and lobed petals. Long branches make it well-suited to espaliering.

Hiryu-see Kanjiro

Jennifer Susan

Soft mid pink loosely petalled semi-double flowers. Very densely foliage compact growth. Makes a good hedge or espalier.

Kanjiro

Often sold as 'Hiryu'. Deep cerise pink single to semi-double flowers with lighter coloured centre. Dark green leaves. Strong upright growth.

Mine No Yuki

Medium sized white to cream semi-double flowers with ruffled petals. Loose pendulous growth habit.

Plantation Pink

Large mid pink single flowers. Very strong growing and makes a quick hedge.

Setsugekka

Large white semi-double with ruffled, slightly incurving petals. Strong growing upright bush.

Showa No Sakae

Medium sized light to mid pink loose semi-double flowers. Distinctly weeping to horizontal growth habit. may be used in hanging baskets.

Sparkling Burgundy

Small to medium sized deep pinkish red double flowers. Long flowering season. Vigorous grower. Suitable for most training styles.

Yuletide

Small bright red single flowers with prominent golden stamens. Long flowering season. Dense compact growth. Does well in tubs.

Japonica

The species forms and hybrids of Camellia japonica are among the most popular and widely grown camellias. Also included in this group are the Higo hybrids. These often ancient forms from Japan are not widely grown in New Zealand but a few are available.

The following is a selection of some of the most popular Japonicas.

Ave Maria (1956)

Pale pink medium sized formal double. Dense compact growth. Early to mid season.

Bambino (1959)

Small coral pink anemone form with well-defined petaloid centre. Dense compact growth. Flowers mid season.

Berenice Boddy (1946)

Medium sized light pink semi-double. Vigorous grower. Flowers mid season.

Betty Sheffield Supreme (1960)

Large loose white or very pale pink double with petals edged in deep pink. A beautiful picotee effect but rather variable. A sport of 'Betty Sheffield' (1949). A vigorous, yet compact bush. Flowers mid season.

Blood of China (1928)

Medium sized deep pinkish red semi-double to peony form. Often mildly scented. Strong grower but compact. Late flowering.

Bob Hope (1972)

Large deep blackish red semi-double. Very intense flower colour and deep green leaves. Strong upright growth. Mid season to late.

Bob's Tinsie (1962)

Small deep red anemone form with a white centre. Upright, very dense and bushy. Flowers mid season.

Brushfield's Yellow (1968)

Medium sized anemone form with white outer petals and creamy yellow petaloid centre. Strong growing but densely foliaged. Flowers mid season.

C.M. Hovey (1853)

Medium sized deep red formal double. Upright growth. Late flowering.

Can Can (1961)

Medium sized light pink peony form with deep cerise pink edged petals and veins. Upright growth. Flowers mid season.

Debutante (around 1900)

Medium sized light pink full paeony form. A strong growing densely foliage bush. Leaves may be a lighter green than most camellias. One of the most widely planted camellias. Flowers mid season.

Desire (1977)

Medium sized light pink formal double with deeper coloured petal edges. Dense compact growth. Flowers mid season.

Dolly Dyer (1973)

Small bright red anemone form with a densely packed petaloid centre. A medium sized densely foliaged bush. Flowers early to mid season.

Elegans Supreme (1960)

Large deep pink anemone form with finely serrated petal edges. One of several sports of the old cultivar 'Elegans' (1831). Large wavy edged leaves. A strong growing but compact bush. Flowers early to mid season.

Grand Slam (1962)

Large deep red semi-double or anemone form. Slightly fragrant. Deep green leaves. A very strong growing upright bush. Flowers mid season.

Guest of Honor (1955)

Large mid to deep pink loose semi-double to peony form. Upright densely foliaged bush. Heavy flowering. Blooms mid season.

Guillio Nuccio (1956)

Very large deep coral pink semi-double with prominent stamens. The petals have wavy edges. Strong growing and very popular. Flowers mid season. Also available in a white and red variegated flower form.

K. Sawada (1940)

Large white rose form or formal double. Dense bushy growth. Flowers mid season.

Kramer's Supreme (1957)

Large bright red full peony form. Usually fragrant. Vigorous yet compact growth. Flowers mid season.

Laurie Bray (1955)

Medium to large light pink flowers that may be single or partially petaloid semi-double. Heavy flowering, tough and adaptable. Rather open growth that benefits from shaping when young. Flowers mid season.

Man Size (1961)

Small white anemone form. A densely foliaged medium sized bush if shaped when young but may otherwise tend to somewhat open growth. Flowers heavily around mid season.

Margaret Davis (1961)

Medium sized informal double. White with petals edged deep pink to orange red. Upright growth. Flowers mid season.

Mark Alan (1958)

Large deep purplish red semi-double or peony form. Narrow petals with a petaloid centre. Upright growth. Starts early and flowers over a long season.

Midnight (1963)

Medium sized deep red semi-double to anemone form. A dense compact bush. Flowers mid season.

Mrs D.W. Davis (1954)

Very large bright pink semi-double. Densely foliaged vigorous upright growing bush. Flowers mid season.

Nuccio's Pearl (1977)

Medium sized very pale pink flushed mid pink formal double. An attractive 'airbrushed' colour effect that intensifies towards the centre and edges of the flower. A dense compact bush. Flowers mid season.

Pink Pagoda (1963)

Medium to large mid pink formal double. Slightly wavy edged petals. An upright bush. Flowers mid season.

Prima Ballerina (1983)

Medium to large semi-double. White base colour washed with soft mid pink. A dense compact bush. Flowers mid season to late.

Roger Hall (1979)

Medium sized bright red formal double. A strong growing upright bush. Starts early and flowers over a long season.

San Dimas (1971)

Medium to large deep red petaloid semi-double. Dense compact bush. Flowers early to mid season.

Tiffany (1962)

Very large loose peony form. Soft mid pink with deeper tones. Vigorous yet compact bush. Flowers mid season to late.

Reticulata

Reticulatas are usually regarded as being less hardy than other camellias but most survive New Zealand winters unscathed.

Barbara Clark (1958)

Medium sized mid pink semi-double. Vigorous grower. Starts to flower early and continues over a long season.

Brian (1958)

Medium sized deep pink semi-double. Strong upright growth. Flowers mid season to late.

Buddha (1948)

Large deep pink semi-double flowers with wavy edged petals. Strong upright growth. Flowers mid season.

Dr. Clifford Parks (1971)

Large bright red flower. The form is very variable, it ranges from semi-double to peony to anemone form. Flowers mid season.

Grand Jury (1962)

Large salmon pink peony form. A large open bush that benefits from pruning to shape when young. Flowers mid season.

Lasca Beauty (1973)

Very large light pink semi-double. Vigorous grower that is inclined to become a little open. Flowers mid season.

Pavlova (1978)

Very large bright red semi-double. A strong spreading bush. Makes a good espalier. Flowers mid season to late.

Phyl Doak (1958)

Medium to large pale pink semi-double. A dense compact bush. Starts to flower early and continues over a long season.

Sugar Dream (1984)

Medium sized mid pink anemone form. Upright growth, inclined to be somewhat open but benefits from trimming to shape when young. Early flowering.

Valley M. Knudsen (1958)

Large deep pin semi-double to peony form. Strong growing upright bush. Flowers mid season to late.

× williamsii hybrids

This fairly diverse group of hybrids results from fertilising Camellia saluensis, or a hybrid thereof, with pollen from Camellia japonica.

Anticipation (1962)

Large deep pink peony form. Strong upright growth. Flowers mid season.

Ballet Queen (1975)

Large salmon pink peony form. A densely foliaged medium sized bush. Flowers mid season to late.

Debbie (1965)

Large bright mid pink semi-double to full peony form. A dense compact bush. Flowers mid season. One of the most popular cultivars.

Donation (1941)

Large mid pink semi-double with darker veining. Vigorous yet compact. Starts early mid season and continues over a long season.

Dreamboat (1976)

A large formal double. The base colour is mid pink but has very subtle lavender and salmon pink shading. The growth is somewhat open. Flowers mid season.

E.G. Waterhouse (1954)

Medium sized light pink formal double. Strong upright growth. Flowers mid season to late. Also available with a light pink and white variegated flower.

Elsie Jury (1964)

Large deep pink full peony form. Medium sized open growing bush. May be trained as an espalier. Flowers mid season to late.

Jury's Yellow (1976)

Medium sized anemone form. White with creamy yellow petaloid centre. Dense compact growth. Starts early and flowers over a long season.

Water Lily (1967)

Medium sized formal double. Bright light pink with darker toning. The petals have distinctly rolled edges. Strong upright growth. Flowers early to mid season.

Hybrids

This catch-all group covers plants of indeterminate parentage and those that don't fit into any of the other groups. Some authorities divide the hybrids by size, particularly separating out the miniatures.

Baby Bear (1976)

Miniature light pink single. A small densely foliage bush that is very popular for container growing. Flowers mid season.

Baby Willow (1983)

Miniature white single. Very distinctive weeping growth. When grafted it makes a good weeping standard. Flowers mid season.

Cinnamon Cindy (1973)

Miniature pale pink peony form. The central petaloids may be very pale pink. Upright willowy stems. Espaliers well. Flowers early to mid season.

Cornish Snow (1950)

Small white tinted pink single flowers. Very heavy flowering. Upright open growth. Flowers mid season.

Itty Bit (1984)

Miniature light pink anemone form. A densely foliaged low growing spreading bush. Flowers mid season.

Jubilation (1978)

Large mid pink rose form double. Occasionally has darker flecked flowers. Strong upright growth. Flowers mid season to late.

Mary Phoebe Taylor (1975)

Very large mid pink peony form. Strong upright growth. Flowers early to mid season.

Nicky Crisp (1980)

Large lavender pink semi-double. Dense compact bush. Starts to flower early and continues over a long season.

Night Rider (1985)

Small deep red semi-double. Upright bush. Flowers mid season to late.

Quintessence (1985)

Miniature white single with conspicuous golden yellow anthers and white stamens. Mildly fragrant. Dense spreading growth. Very popular as a container plant. Flowers early to mid season.

Snippet (1971)

Small pale pink semi-double. Eventually a dense compact bush but somewhat open when young. Flowers mid season.

Tiny Princess (1961)

Miniature semi-double to peony form. White to very pale pink with darker tints. Slow growing and may become rather open but occasional pinching back will produce a neat low bush. Flowers early to mid season.



I am a garden book author and horticultural photographer based in Christchurch, New Zealand. I run a stock photo library called Country, Farm and Garden ([http://www.cfgphoto.com]). This article may be re-published provided this information is published with it and is clearly visible.